Essay · The Remarketables

How Expensify executed the perfect undercut with F1: The Movie

Indy Sen 2026 Brand Strategy · Challenger Marketing · Earned Media

When Apple TV+ released F1: The Movie, every major B2B software brand was looking at the same question: how do we get into this cultural moment? Most of them looked at sponsoring real teams — Mercedes, Ferrari, Red Bull — and did the math on eight-figure price tags. Expensify asked a different question.

The APXGP team in the film is fictional. It's the scrappy underdog, the team that shouldn't exist but keeps showing up. Expensify put its logo on that car. It cost a fraction of a real sponsorship. It generated earned media that behaved like a $10M placement. And it perfectly embodied the brand's own positioning: the challenger, the category disruptor, the tool that doesn't fit the old expense report playbook.

This essay dissects the strategic logic of the undercut — finding the side door into a cultural moment that your better-funded competitors overpaid for the front door to. It's a move that requires restraint (most brands would have gone bigger), narrative clarity (the fictional underdog story has to match your brand story), and the courage not to compete on incumbents' terms.

The playbook generalizes beyond F1. For any developer platform company or B2B challenger brand, the lesson is the same: you rarely win by outspending. You win by finding the angle the category leader can't take because it would contradict their own positioning.

Key themes

Read the full essay →